| Name |
Publications |
Topic |
| Agon C. : |
Mathematics and Computation in Music. Proceedings of the third International Conference of the Mathematics and Computation in Music. Paris, June 15-17, 2011.
Lecture Notes in Computer Science / Lecture Notes in Artificial Intelligence, Springer |
MI |
| Amiot E. : |
Mathematics and Computation in Music. Proceedings of the third International Conference of the Mathematics and Computation in Music. Paris, June 15-17, 2011.
Lecture Notes in Computer Science / Lecture Notes in Artificial Intelligence, Springer |
MI |
| Andreatta M. : |
Mathematics and Computation in Music. Proceedings of the third International Conference of the Mathematics and Computation in Music. Paris, June 15-17, 2011.
Lecture Notes in Computer Science / Lecture Notes in Artificial Intelligence, Springer |
MI |
| Andreatta M. : |
Mathematica est exercitium musicae, la recherche mathémusicale et ses interactions avec les autres disciplines.
|
MI |
| Assayag G. : |
Mathematics and Computation in Music. Proceedings of the third International Conference of the Mathematics and Computation in Music. Paris, June 15-17, 2011.
Lecture Notes in Computer Science / Lecture Notes in Artificial Intelligence, Springer |
MI |
| Bresson J. : |
Mathematics and Computation in Music. Proceedings of the third International Conference of the Mathematics and Computation in Music. Paris, June 15-17, 2011.
Lecture Notes in Computer Science / Lecture Notes in Artificial Intelligence, Springer |
MI |
| Bruner R. : |
Mathematical music visualization: the sphere, the Moore space, the Joker .
|
MI |
| Celibidache S. : |
La Musique n'est Rien.
Actes Sud, Paris, 2012 |
MI |
| Chacon G. R. : |
Nonlinear Musical Analysis and Composition.
In Mathematics and Art III (C. P. Bruter Ed.) Cassini 2015 87-94 |
MI |
| Charnoz G. : |
Démystifier la Théorie musicale.
Editions du Makar, Paris, 2001 |
MI |
| Cheng X. : |
Time frequency analysis of musical rhythm.
Notices of the AMS 56 (3) 2009, 344-360 |
MI |
| Colucci R. : |
Nonlinear Musical Analysis and Composition.
in Mathematics and Art III (C. P. Bruter Ed.) Cassini 2015 87-94 |
MI |
| Daniélou A. : |
Sémantique Musicale.
Hermann, Paris, 1967 |
MI |
| Don G.W. : |
Music: Broken symmetry, geometry, and complexity.
Notices of the AMS 57 (1) 2010, 30-49 |
MI |
| Goodman J.E. : |
On Hearing the Sound of a Theorem.
Notices of the AMS 58 (10) 2011, 1409 |
MI |
| Hart J.V. : |
Time frequency analysis of musical rhythm.
Notices of the AMS 56 (3) 2009, 344-360 |
MI |
| Hart V. : |
Mathematics and Music Boxes .
in Mathematics and Modern Art (C.P. Bruter Ed.) Springer 2012, 79-83
|
MI |
| Hellegouarch Y. : |
L'Essai d'une nouvelle théorie de la musique de Léonhard Euler in Destin de l'Art, Desseins de la Science.
(Actes du Colloque A.D.E.R.H.E.M., Université de Caen, 24-29 Octobre 1986), ADERHEM-CNRS, 1991 pp 46-88 |
MI |
| Hellegouarch Y. : |
A Mathematical Interpretation of Expressive Intonation .
in Mathematics and Art (C.P. Bruter Ed.), Springer 2002, 141-148
|
MI |
| Hoffman-Jablan J. : |
Symmetry of Musical Work .
|
MI |
| Johnson T. : |
Mathematical musical archives.
|
MI |
| Leguizamon J. S. : |
Nonlinear Musical Analysis and Composition.
In Mathematics and Art III (C. P. Bruter Ed.) Cassini 2015 87-94 |
MI |
| Machabey A. : |
Quelques savants-musiciens à l'époque de Mersenne.
Revue d'histoire des Sciences et de leur applications, 11 (3) 1958, 193-206
|
MI |
| Manderau J.(Ed.) : |
Mathematics and Computation in Music. Proceedings of the third International Conference of the Mathematics and Computation in Music. Paris, June 15-17, 2011.
Lecture Notes in Computer Science / Lecture Notes in Artificial Intelligence, Springer |
MI |
| Muir K.K. : |
Music: Broken symmetry, geometry, and complexity.
Notices of the AMS 57 (1) 2010, 30-49 |
MI |
| Neuwirth E. : |
The Mathematics of Tuning Musical Instruments - a Simple Toolkit for Experiments.
in Mathematics and Art (C.P. Bruter Ed.), Springer 2002, 79-88
|
MI |
| Schneiderman R. : |
Can One Hear the Sound of a Theorem.
Notices of the AMS 58 (7) 2011, 929-937 |
MI |
| Schneiderman R. : |
Response to Tymocko.
Notices of the AMS 58 (10) 2011, 1048 |
MI |
| Simoes C. : |
Mathematical Aspects of the Second Viennese School of Music.
in Mathematics and Art (C.P. Bruter Ed.), Springer 2002, 105-117
|
MI |
| Tymoczko D. : |
The Geometry of Musical Chords.
Science 313 (2006) 72-74
|
MI |
| Tymoczko D. : |
A Geometry of Music.
Oxford University Press, 2011 |
MI |
| Volk G.B. : |
Music: Broken symmetry, geometry, and complexity.
Notices of the AMS 57 (1) 2010, 30-49 |
MI |
| Walker J.S. : |
Time frequency analysis of musical rhythm.
Notices of the AMS 56 (3) 2009, 344-360 |
MI |
| Walker J.S. : |
Music: Broken symmetry, geometry, and complexity.
Notices of the AMS 57 (1) 2010, 30-49 |
MI |
| Walker J.S. : |
On the article of Schneiderman.
Notices of the AMS 58 (10) 2011, 1408-1409 |
MI |
| Xenakis I. : |
Musiques formelles.
Le Revue Musicale, double numéro spécila 253-254, Paris, 1963 |
MI |
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